New carbon dating shroud of turin

Neutron radiation is usually generated by nuclear fusion or fission, and may be produced by nuclear reactors or particle accelerators. A powerful earthquake could achieve the same effect, generating neutron radiation from stresses in the Earth, it is claimed. Mark Antonacci, a leading expert on the Shroud and president of the Resurrection of the Shroud Foundation, is currently petitioning Pope Francis to allow molecular analysis of the cloth using the latest technology.

It is hoped that such an investigation will be able to confirm or rule out the radiation theory. The Vatican has never said whether it believes the shroud to be authentic, although Pope Emeritus Benedict XVI once said that the enigmatic image imprinted on the cloth "reminds us always" of Christ's suffering. The first, hotly debated, documented reference to the Shroud of Turin dates back to the 14th century when a French knight was said to have had possession of the cloth in the city of Lirey.

Records suggest the Shroud changed hands many times until , when it ended up in its current home, the Cathedral of Saint John the Baptist in Turin, Italy. The foot long herringbone woven cloth appears to show the faint imprint of a man bearing wounds consistent with crucifixion. Some have proposed that it came from the body itself, or was generated by an event inside the tomb, pointing to a divine origin linked to the resurrection. Accessibility links Skip to article Skip to navigation. Pollen from the Shroud is not only from the Jerusalem area, but from Turkey and the other places the Shroud is supposed to have resided.

Dust from the area of the image by the knees and feet is from the area around Jerusalem. The Shroud details are perfectly consistent with first-century Jewish burial customs. There are even microscopic traces of the flowers that would have been used in the burial-flowers that grew locally and were known to be used for burial. In addition, traces of the spices used for Jewish burial have been discovered.

The bloodstains on the Shroud are real human blood, not paint. The flow of the blood accurately reflects crucifixion and subsequent burial. The image was seared on the linen after the bloodstains. The fact that the bloodstains retain their reddish colour is evidence that the blood came from a person under extreme duress. The most recent finding again suggests that the crucified man was tortured. The cloth is consistent with fabrics from first-century Israel, but not with medieval Europe.

A forger would have had to not only forge the image, but would have had to have detailed knowledge of linen weaves of the first century and then not only reproduce it, but age it convincingly. We are not obliged to believe in the Shroud; it is undeniably mysterious. Having said that, it is also mysterious how dismissive most sceptics are. They cry out for scientific evidence, but when evidence is produced few really examine it closely. Nothing has been proven.

All we have is an old cloth for which there is no explanation as yet. One of the principles of creative scepticism is that the obvious answer is usually the right one. MVP is a sports award in the US. There is a missing link in the story. The archdiocese of Turin has not said anything about the material collected during the controversial restoration and the microphotographs in its possession. Are we to presume that they do not advance anything in research? If so, we have two options: We also cannot use what was left of the sample due to the controversy and if another one has to be cut who will be in charge?

Do we want to go through all those problems again? Most important, Professor Christopher Ramsey is willing to throw open the doors of the Oxford laboratory, but has warned about what may happen. What he told me can be read in: It is therefore preferable to rely on non-invasive tests, in some kind of STURP II, since better equipment and methodology is now available. The most important thing to be examined is the blood under the image.

Serum rings have been identified, but more is needed. The Church is holding the expositions because of tradition, not because the relic is an article of faith. Do we have any proof that Moses existed or about the Exodus? Yet, Judaism continues, many who left the faith keep thinking about the terrible evil during the Nazi holocaust.

If the Shroud is judged to be authentic, it will help both Christianity and Judaism. Even then, there will be questions that will remain unanswered.


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But there are questions that other religions have also left unanswered, but that is another story. STURP did some research on medieval painting and discarded the possibility of any comparison with this kind of art.


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We must not forget Dr. I am quite happy to accept that the original pigments had largely fallen off by but we still have the pattern of bloodstains and the scourge marks and can relate them to what was being painted at the time. This doubt seems to have been answered recently: Anyway I will continue with my own researches and hope for eventual publication of them to make my argument clear. Are either of two items you mentioned linen? Could you refer us to where we can look at them? For example the Lier Shroud was a linen copy of the Shroud of Turin.

There is an image and discussion of it in my book. I believe it was consumed by a French Revolution bonfire. No, they are not linen but they have similar patterns of bloodstains and artists who painted on linen also painted on other surfaces and vice versa. You can find both of them on Google images.

Radiocarbon Dating of the Shroud of Turin

Look at the depictions of the head of Christ in the crucifixion scenes of the Holkham Bible and you will see very similar squiggles as well as blood flowing down the arms. The Roettgen Pieta also had blood flowing down the arms and both show signs of overall scourge marks. So here we have a manuscript illumination, a sculpture and a linen cloth all showing similar iconography. I have some way to go before I have anything to publish but this beats the Pray Codex for similarities any day.

Our primary goal was to determine what formed the image.

Turin Shroud: the latest evidence will challenge the sceptics | Catholic Herald

To that end, we obtained the spectral characteristics of every paint, pigment and binder used from medieval to modern times and did detailed spectral analyses across the entire Shroud. Truly Barrie, who cares about science -especially when all verdicts are made a priori based on ideological key no matter in which way? I have since then never read or heard of any official statement from the Holy See questioning the validity of the results or agreeing with any of the hypotheses or theories formulated by supporters of authenticity in attempts to discredit the Radio Carbon dating medieval date.

At best, only some of the surface pigment would have flaked off, but there would have been plenty remaining within the weave and fibers of the cloth. You are wrong, Barrie. The Catholic journal Tablet reported on 8 May, in an article Shrouded in Mystery that there had been a an earlier carbon test in in which the Vatican had secretly checked out what the result would be. Apparently the source for revealing this test was Father Rinaldi.

The result confirmed the later tests. The article from the Tanlet is still available here: This is extraordinary, Charles. But is it true? Apart from the lack of denial by anybody in Turin who might know about it, the only circumstantial evidence I can think of is that presumably a sample at least as big as a postage stamp would have been needed, and there is no place where such a sample seems to have been taken from. Sox implies it could have been in the form of threads drawn from various places.

Carbon Date the Shroud Again?

If the story is not true, who was lying — Sox or Rinaldi? As I stated in a previous comment, it is important to read what Ian Wilson said about radiocarbon dating of the Shroud. I may not agree with Stephen Jones about everything,but look what he had to say about Revd. David Sox in the second paragraph: Rinaldi, and I, and anyone who knew him, would tell you that there is ZERO chance that he would have lied about this. I knew both David Sox and Fr.

New forensic tests suggest Shroud of Turin is fake

There was a legend that the Shroud had been carbond dated before in California but it was vigorously denied by the people who were alleged to have done it. That came from Father Rinaldi and others.

Documentary - BBC — Shroud of Turin

Incidentally that legendary date was circa CE. I am sure Joe M or someone else can correct me on this. That legendary test was in the US not across the Pond. Thus whole thing is hearsay with absolutely no evidence, why put any weight on it? A modern tablecloth would probably date at BP or more, which on calibration would indicate a number of dates between about and the present day. I suspect Dr Wolfli knew this, and was joking.

'Finding Jesus': Shroud of Turin Q&A

I had written a reply to these sites about a message that I received about the Shroud of Turin. Doing another C test seems to be a very good idea. You are only trying to resolve the date of the fabric, are you not? There is an excellent comment on that published on Shroud. Meacham, however, suffers from a few liabilities.